Auditions for principal roles are by invitation and are offered only to artists who are represented by professional artist management or under very special circumstances. Artists’ representatives should address resumes to:
1020 John Street
Seattle, WA 98109
Seattle Opera is seeking male supernumeraries to play soldiers in Aida.
Seattle Opera is casting men at least 18 years of age for supernumerary* roles. (*Supernumeraries are volunteers who appear onstage in non-speaking, non-sing roles).
Needed are males 5’09-6’03”
Chest measurement 39”-43”
Waist measurement 35”-39”
Show begins rehearsing April 9, 2018.
Performance dates: May 5, 6 matinee, 9, 11, 12, 13 matinee, 16, 18, 19, 2018
Casting is by interview.
Please phone (206) 676-5812 or email firstname.lastname@example.org to set up an interview appt or to get additional information.
Boy Soprano Principal Role
Seattle Opera will be holding auditions for the role of Miles in Benjamin Britten's The Turn of the Screw, to be performed in October 2018. Casting two boy sopranos to alternate performances. This role is an extensive, central character in the opera.
Vocal requirements: Solo quality with substantial volume. Unchanged boys voices (sopranos) needed. Role requires advanced vocal training, steady tone, clear pitch, and ability to project the voice in a large theater. Previous on-stage experience a plus.
Audition dates are February 26 and March 3, 2018.
Please prepare and memorize one piece in English for the audition. Classical repertoire only, NO musical theater repertoire at this time. Please bring sheet music for the provided accompanist to play. Rehearsal information will be available at the audition.
Music rehearsals begin as soon as the role is cast. Ready for staging by September 17, 2018.
Please phone (206) 676-5812 or email email@example.com for further information and to sign up for an audition time slot.
Porgy and Bess Chorus (Summer 2018)
African-American performers interested in auditioning for the chorus of Porgy and Bess are invited to forward a resume and headshot to firstname.lastname@example.org. Audition is by invitation only – artists selected to be heard will be notified. Auditions will be held as necessary.
Please prepare two selections to be sung from memory with piano accompaniment, at least one in English. It is not necessary to prepare something from the opera itself, but you may if desired. Operatic arias are preferred, but selections may include music theater, classical/crossover song, spiritual, or oratorio aria. An accompanist is provided, but you are welcome to bring your own if preferred.
The approximate time commitment is June 18-August 25, 2018. Membership in AGMA (American Guild of Musical Artists) is required in order to be contracted by Seattle Opera. All communication regarding these auditions should be directed to the above email address, no phone calls please.
Seattle Opera Chorus
The Seattle Opera Chorus is a part time professional chorus. Each chorister is affiliated with the American Guild of Musical Artists (AGMA). Choristers should be able to physically perform basic stage direction. When possible, within the artistic parameters of a particular production, Management will make its best effort to make reasonable adjustments when requested. Such adjustments will be made solely at Management’s discretion.
The next Open Chorus Auditions will take place in November 2018. Check this website after September 1, 2018 for further instructions on how to apply. Auditions must be scheduled in advance and will be by invitation only. Only residents of Seattle and/or the greater Seattle metropolitan area are eligible to sing in the Seattle Opera Chorus.
Candidates should prepare and memorize three selections in three different languages, one of which must be in Italian. Two selections must be opera arias. The remaining selection may be an art song or an oratorio excerpt. An accompanist will be provided for the use of singers who do not provide their own.
How Your Audition Will Be Judged
Auditions are evaluated on the following criteria:
- a demonstrated level of musicianship with attention to correct pitch, rhythm, dynamics, phrasing, and interpretation
- solid vocal technique
- appropriate diction in the common operatic languages
- large enough sound to carry in the theater
- an appropriate choral sound according to the artistic standard set by the General Director
- the ability to blend the voice
- stage presence
- dramatic sensibility
Main Photo © Rozarii Lynch